with two releases already under his belt on clone, gary gritness aka slikk tim lands on hypercolour with the sugar cane chronicles vol. 1. gritness may be a relatively new name on the block, but his session work for artists like kenny bobien, louie vega and grant nelson has marked up this multi-instrumentalist as a clear talent. hailing from france, gritness had been spotted by underground resitances mad mike banks as one to watch, and on his hypercolour release, displays a deft hand of producing futuristic funk sounds. a spot on blend of raw drum programming and blissfull jazz funk riffs, preachin some tight game sets the eps tone just right with its infectious melodies and cruising groove. darker 1980s soundtrack vibes are explored on stayin strong hand with its thick analogue atmosphere, whilst the laid back and freestyle vibes of working girls demands to be played in the cadillac with the top down! ep closer, fly shit, continues with the tranquil melodies and g-funk factor.

limited 6x lp box set, colletors edition - deluxe thick matte black carton box with golden mirroresque print. handpacked and no shrinkwrap. please denote: boxes can face slight colour fade on print and spots on paper which is due to the nature of the manual bespoke printing and declare no fault. each boxes gets 6x12&#8243,,,,,,,,,, vinyls housed in their innersleeves: 1xmg084 1xmg086 1xmg097 1xmg109 1xmg112 a/b/c/d (2 records)

with a passion for disco, italo, chicago house and detroit techno patrizio cavaliere aka rocco universal has been collecting music for the last two decades and it’s these musical influences that have shaped his raw, tripped out disco/house production sound. ‘tiny islands’, his debut release for leng, is a real melting pot of rich melodies over a thick baseline and is a clear example of rocco’s passion for the dancefloor. with something as multi layered and deep as the original track it needed ray mang to add his trademark sound to the remix. here he goes straight for the jugular drawing out some of the loops and percussion leaving no mistake as to when this should be dropped on the dancefloor.

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

crunch 22 takes a major shift from their debut album, expanding their musical breadth into a full length concept lp, based on lewis carroll’s masterpiece of psychedelic literature – “alice’s adventures in wonderland”. keeping raw groove as the core of their music, the band’s musical language now grasps some further out melodies, abstract harmonies as well as thick layers of swirling samples, influenced by musique concrète no less than it is by modern cut-n-paste turntablism.
the album is released by tel-aviv-based boutique label audio montage on an exclusive 180g limited edition vinyl, in a beautiful gatefold sleeve illustrated by street artist jack t.m.l (shahaf ram).

discodemuerto is an electronic music label dedicated to the difusion of a deep, hard and repetitive sound . for discomuerto, music must be thick, whining and personal. discodemuerto will get from the cave those slow and blunt grooves. to sum up, discodemuerto is darktechno!

sublime and slinky four tracker from james dexter on dessous recordings, steve bugs label for the deeper side of house. the young brit shows his mastery of the form with an ep that combines effortlessly club-ready grooves with exceptional sound design and a strong melodic sensibility. dexter clearly know a thing or two about creating dance floor moments, with each track exhibiting a classiness that belies his age. have it like that kicks things off with a chugging, hypnotic feel and crisp drums providing the basis for a cool vocal hook and thick, warm bass. no time gets a shade deeper and no less funky, while get to this points a little further towards the center of the dance floor. closing track 120 goes even further into the late night vibes with a seriously infectious groove.

its not often you hear a techno record produced by a total of five people. when it happens, it’s usually to mark a passage and make a statement. sometimes it is a matter of celebrating a rita of passage, a shift into maturity and the embodiment of a new skin. this is what repitch is doing with the fourth and final installment in their “features” series, reuniting all the crew for the the final blast of what’s been a long and massive barrage of heavy techno. this is the collaboration to end them all: repitch founders ascion, d. carbone and shapenoise have shared the studio with longtime allies and. together, they explore a common ground made of pounding metallic percussions, gutwrenching bass and thick, furious grooves, with each producer bringing his own peculiar contributions to the table. this last installment marks the end of a process that accompanied repitch throughout its whole existence, thus enhancing the beginning of a new chapter in the label’s creative output.

one copy per customer!
i walk around in the solar field. from here, the surrounding beams look like cylinder­thick, motionless rain or comet tails painted onto the sky. the tower is all white because the sunrays are pointing directly at it, white in an erased way, like if you leave an empty patch on a drawing, and surrounded by a halo. i go over to one of the sun mirrors. it’s huge and darkish and cold when i touch it. i don’t know if it’s cold and immune to the sun or transfixed in a much more extreme way than the desert. a solar plant can take much more sunlight. it has direct access, like a clip through into the thing outside. the widest zone, like the highest point when it’s lightning. the sunlight is magnetic. intense heat from the mantle pushing against the crust to get closer to the sun.

sol power sound is proud to present the color soul ep by obas nenor. after a huge year with releases on legendary strictly rhythm and moodymann s mahogani music, the tel aviv producer blesses sol power sound with a four song ep of thick afro-disco, bumping house, and twisted techy grooves.

serb steps up and delivers four heady, scrunched up house excursions. moody pads and electrified fx stretch and bang over squelching drums and a booming low end. an eclectic ep spanning thick and thin, crunching club music.

thick silence and a return.
statement breach. feet moving.

reissue of the 1984 west coast hip-hop classic for record store day 2015. triangle, white vinyl. custom sleeve – thick black board, gold foil printing, magnets – 8 panels folding into a pyramid.

finale sessions is excited about this release from knoxville, tennessee artist alex falk. he has been on our radar for some time now so we are pleased to share this with you! the a1 track -an ever- is one of our favorite tracks on the ep, with dreamy pads and monstrous stabs making for a fantastic floor-stomper. rounding out the a side is rrecs, a deep techno cut with clattering chords and moving drums and claps. b1 track what is free is another solid peak time killer with thick stabs and cut-up vocals making for a perfect finale sessions release. finally, br56 brings up the tempo while chilling out the vibe with dubbed-out chords, nasty filter work and a sound floating somewhere between techno and house.

beautifully designed lp on 180g vinyl! just waking up and everything sounding slower. holes in the wall. the unknown in the familiar. the shock of the new. just-turned rubble. thick clouds of recall. muted high-life, de-centered hip-hop, and disparate conversation. heavy, sinking jazz and dissected infomercials. too much chewing gum? not quite anything, or half of something. reminds me of. smells like? turkson side is africanus okokons first album. it is almost entirely sample-based, made largely within a simple, custom-made playback software with each track recorded in one take with very little editing

a new musical adventure is coming up from ruff stuff. the producing duo from milan, launch a new series of 12” white labels dedicated to the exploration of the different souls of their musical path. the first release includes four tracks with different identities and a common trait: warm atmospheres and thick grooves.

michal wolski returns to blank slate to deliver another ep. blank slate 011 is a continuation of wolskis signature dubby minimalist strain of techno. the warsaw veterans ability to summon thick hypnotic ambience makes his compositions instantly recognisable. wolskis patience and subtlety summons a nuanced version of power.

through the spirit realm is refracteds first lp to date, and it comes canadas excellent silent season, a home to rasmus hedlund, quantec, and asc, among others. enter the jungle quickly gives a picture of what s to come thanks to the track s abstract blend of animal sounds, a myriad of noises which is swallowed up the warm and dubby swings of the jungle is thick, a donato dozzy kinda lick. the whole lp follows a similar string of thought, one that binds stripped back techno together with deep ambience and slow moving plates of drone, the ritual begins is simply hypnotic and we could keep it on for hours on loop. its tribalism at its most cutting-edge, and an altogether fantastic debut performance from this growing techno personality.

raam follows up his two earlier eps with some warm, gritty and analogue fuzz. the ep starts with padme which is a heavy and chord driven techno track. a thick synth stab is building up over a tight 909-beat, wooden percussion to a big crescendo which makes this track a peak time banger.

dr jayne insane, cutting through the thick mud with a dirty spoon. with three wonderful tunes on each side, this lp kills fascists… well, kills everything in near/in your ear. the noise grows on you. dr jayne insane, aka jan liljovic, aka jan liljekvist is back with another beautiful journey through his distorted mind… comes with a 12x12 inch poster by sten backman, who also made the art and design of the lp.

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

tlim shug, a new artist dwelling in cassette tape sounds, 303 drums, and thick pads, he doesnt fail to deliver atmosphere and capture just the right feel with his tracks. with a unique name and even more unique sound, this is an artist you should definitely keep your eye on.

powered by thick kick drum and of beat snare title track bang bang is the perfect treat for your summer floors, its then taken on its head for a deeper rework by sable sheep. the germans take strips bang bang to the bone. bass and beat.the imaginatively titled space wallabies rounds out the release and finds onno matching wobbling stabs, heavy groover with catchy vocal

mosco fell asleep in tel aviv and awoke days later in berlin. this is his first offering for the esp institute. on side a, akachi plows straight in with its relentless rolling bassline, a thick blanket enveloping any and all breathing room. an array of squelches and atonal pads struggle to rise above the trudging rhythm, while live percussion slides in and out of frenzy. on the flipside, nobody else shows us moscos more ethereal side. beautifully programmed drums draw us in as the accentuated hi-hats and claves elegantly pierce rhythmic synth work, until finally were carried away by mystic keys layering in heavenly glissandos. these two songs will make you thirst for potent potions.

sink into a world of deep electronic rhythm and texture, clouded house is a not for profit venture whose aim is to take you higher. 1989 is the debut deep house tragedy from lukas lyrestam where pumping music-machines from outer space are brought back down to earth in a shuttle constructed of heartfelt songwriting. thick, gritty and for fans of nicolar jaar and galcher lustwerk, this is music for deep basements and curious minds.

the fine folks at moton, that will be diesel and jarvis, hook us up with something a little special this summer, slimming their usual 12 inch format down into superb colored 7 inches of edit delights. as we head onto the second disc, things only get better. *my guide* is a high emotion d-i-s-c-o trippy balearic rocker that is already making the playlists of the a-list. on the b side *mans lifespan* follows presently, hitting us with never can say goodbye as we ve never heard it before, thick with echoed vocals and spine tingling guitars. unreal! pressed on 7 inch limited transparent green vinyl.

the virgo ep is the 4th of mutewax’s non-stop output, featuring french artist cømpass. vindemiatrix is a classy, uplifting peak-time track that sneaks up behind you. if you were thinking of leaving the dance floor. think again. spica lays heavy on the kick-drum & thick bass-lines. it’s a mind-winding trip which reveals a mature twist on the classic acid tweets. arcturus bounces joyfully across the dance-floor and picks up the pace with its hard-hitting acid notes and infectious rhythms. porrima beautifully stirs the emotions - the melodic rhythms predict a sweet future, yet it retains an atmospheric nostalgia for all things which must pass.

featuring 4 producers that cross musical spheres is the labels way and again roster members are handed the keys to the treasure while welcoming other, less unknown producers a chance to highlight their aural visions.

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

uabos, aka matteo pepe, is a young and rising start from the fashion capital of europe. this milan musician melts the mediterranean with 707 attitude, connecting his homeland with the iconic floor grooves of chicago. warbling acid warmth gives way to spiralling female samples as dusk sets in. the track is pure golden sunshine. tweaked bars are woven through clean drums to form an energy-filled track of explosive properties. polished rhythm patterns scaffold the ep. from this solid base flow clever melodies and dancefloor subtlety. 303s trickle against thick and rich chords for the textured tones of abc dream . uabos grabs his audience, holding them with hypnotic harmonies and an entrancing elegance. but with that is an intoxicating funk, one epitomized in the drill . toms and pads introduce. snares snap as a deep and dense build is constructed, layers bubbling arpeggios support cascading chords for a chitown streaked disco romp. the finale, squash , is living musical liquid. a syrup of synthesized squawk squirms under soaring notes and crisp beats for a jackin infusion.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

finale select series is back to bring you one more from one of chicago s finest producer boo williams and finale sessions boss michael zucker and we start with boo williams song - reckless thought - with its magical keys and it thick pads it has chicage written all over it for sure and then last but not least we have michael zucker with his track good times- it has a jazz feel to it with it moving drums and its wicked bassline. this ep will sure to please the deep at heart.

not content with presiding over three outstanding labels - dessous, audiomatique and poker flat (now in its 16th year) - and dusting down his long-dormant traffic signs pseudonym for the brilliant cookie jar, steve bug finds time in his schedule to spoil you with another stellar release.

opener -she loves it- layers graceful elements, drifting sounds, pirouetting percussion and lets them slowly roll in like a thick fog. bvoice,anrilov & sickdisco deliver a more minimalistic version of -she loves it-. this guys are a great trio from moscow, analog gurus, already released on pro-tez, highway, time has changed, body parts. on the other side we have another piece of material from kirik called somewhere, which does the same job with similar elements. its melodious drum loop is the fulcrum around which densely layered hi-hats, shakers and various pads bounce and rotate. label boss, dirty culture deliver a more driven house version of somewhere, a more digestiv aproach. good vibes and melodic grooves from eastern europe, on wax!

organic failure is the title of the latest release on injected poison. on this release we have 2 original tracks and 2 remixes from two of the most important producers in the techno scene at the moment. jose pouj named his first two tracks siris and fmo, two tracks produced through hardware and software with a thick bass, synth and deep atmospheres. christian wunsch is responsible for the first remix, with a more forceful and direct dancefloor approach. orphx delivers his version of metamorphosis, keeping the original sounds and shifting forward orphx trademark sounds.

following the success of their fourth studio album smoke and touring for over a year dapayk & padberg felt ready to release the single come out. their brand new track is fresh and present, making it the perfect tool to dance into spring and get rid of thick winter clothing. on the b side the berlin-based electronic duo presents two more album remixes. the pole mooryc wraps the title track smoke in his fragile, soulful and bass-driven slow-mo-electronica. dublin s eomac extends the list of silent fireworks remixes. a deep wobbling sub bass combined with broken beats and spheric pad sounds give the original an eccentric touch of dubstep.

argentina has a rich history when it comes to dance music and gonzalo solimano is one of the countrys finest electronic flag-bearers. with his unlock recordings imprint he has created a heavy back-catalogue that the likes of barem, guti, luca m and daniel sanchez have all contributed to. after a short break solimano is back with his *factor h* ep and the original mix is a tropical, cow bell laden treat, one that sums up the nation’s sound nicely. on remix duty is both fase and fellow argentinian maestro guti. the producers last full-length was the jazz-inspired *rompecorazones* and now a remix lp is set to follow but here we focus on his amazing edit of *factor h*. guti has maintained the percussive elements of the original but added a significant amount of groove and focused on adding in thick kick drums and more drive. it is one you can imagine on the terraces or at 4am in a darkened room and this is why guti is such a don. pressing on green marbled vinyl)

is it balearic bring the heat with a stunning release from sorcerer. the first track is zulu honda. skipping thick drums and a bouncing bass overlaid with nu med guitars and beautiful synth lines. this track is made for pool parties and lofts. the second track is afro vibes a more atmospheric percussive groove. maribas throbbing bassline and slightly melancholic guitars eventually make way for a subtle acid accent before returning to the groove.. salins jockey club remix zulu honda adding some lovely elements while holding the original feel. top draw from the dependable iib crew

möd3rn is a global project from 3 wellknown artists who wanted to give a side project from their own solo career. it s a band, producing, playing live but it s also a label created only for the trio productions. each releases will propose 3 tracks from the 3 artists. for that first one the famous trio propose 3 huges bombs mö4, mö5 and mö6, 3 huge techno killer using rough skins with raw edit. speech less and listen to that we can call pure techno. while carefully handling their respective careers, postponing then their obvious collaboration, möd3rn trio s members have capitalized its desire and now deliver its mere substance, in the rightest moment, where, simply, all the distant forces converge. the six daring, expert hands merge now into a unique entity, unanimously moving within the same effort towards techno music. of the distinct identities merely remains the ethereal, synthetic essence devoted to the group, and the common musical passion that leads it. the formula is elaborated freely: each one s adjunctions -subtle keys, nervous chords, underground blows, rhythmical uproars- pour into a thick maelstrom, opaque, condensing detroit s grieving sensibilities as well as last decade s bewildering cacophonies. the potion obtained is irresistible, an ecstatic hybrid, prodigiously actual, that renders all the genre s diversity and dynamism. chance intertwined their paths and now the three companions celebrate both the friendship that resulted and the good fortune that has driven it, by improvising live together as one faceless, solid body agitated by the urge of dance and music, composing the material that shall be processed later on to form their eponym label s releases.

200 copies pressed. the fifth instalment of madrids eleve label is here in the form of a new various artists. this new piece of wax brings together a mixture of talented artists, both internationally respected and also newcomers emerged from madrids underground scene. dutch dub techno figure mohlao, known for his releases on meanwhile, field or other heights labels, delivers a lo-fi deep techno number more dancefloor oriented than previous works. well known eleve artist, bule, contributes to this reference with a strong track in line of his previous releases on the label. deep and thick, rooted in 4×4 ambient electronics. spanish berlin resident, wil, sees his debut track on the label, schoenhauser 176. layered ambient techno with the feel of classic dub sound. lastly, co-owner of grounded in humanity label and eleve collective participant, gblanco, makes his debut on the label. his track is the fuzziest, dreamiest and deepest of the compilation, providing the perfect chilling experience.

muddy waters ep, the second release from trust, comes from the duo us. trust, cocoon artist julien brachts own label, engraves 3 tracks on wax that present noise as original as can be. the title track by the duo us, namely louis mcguire and markus nikolaus a.k.a. cunt cunt chanel, is a straight-up soulful blend thick with the commanding charm of markus velveteen vocal underpinned by mcguires pulsating beat-as hypnotic as it is powerful. juliens space is heaven rmx captures the hard, dry sound of a live-jam between the pair, whilst his heady trust mix promptly quashes any doubts left hanging. trust us.

a real thick baseline - a fabulous ep start. of the same title dragon fly comes along with dizzying, but best placed sound effects und a bashing buildup. we love listening to that great sound. neck breaker - not neck breaking but with a most impressive vocal and creative seeded sound expericence. makes us fancy for more like this. and bäms - the ep continues with a track called roll on. quite deep and initiated with a cool vocal - very british - the composition ist a bit more funny - a good mood sound creates an appetite for more. we are hot for the release on stylerockets.

*bapteme de l air* keeps the pressure up throughout as it steadily rolls out its sharpened kick and thick, propulsive snare before reaching its rattling, mechanical apogee. *ready pour le tour* unfurls behind off-kilter clicks, tightly swung hats and sax stabs while astute dynamics build a rich and cavernous atmosphere. the disco tinged *plein les mirettes* sets a rousing warm-up tone from the off with a dense kick and clap pinning down flecks of crowd chatter and shimmering metallic signals before dana ruhs spectral revision of ready pour le tour casts a murky glow over the original, blooming until its close with thickening strings and addictive knocks and claps.

fear of flying kick off the new year with the next instalment in their vinyl only series, enlisting the talents of matthew burton & kate rathod. ‘cyberg’ has an atmosphere so thick you can cut it with a knife, a vocoded vocal and haunting pads imbuing the track with a distinct 4am feel. ‘mr magpie’ ups the ante slightly with swung percussion and fx. the lofty kick drum and twinkling synths of ‘8 minute abs’ and the subtle deep houser ’hammer top logo feature on the b side. part 1 of 2.

one per customer! edwards 2nd album -into a better future- accompanies you for hours, makes you forget that daily grind. it is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. you will pass machines along the side of the road, engaged in a process of construction while your hands feel clean. and once in a while you ll hear the sound of sunrise and sunset racing each other in a tight rhythm.

sncs finely tuned balance of dancehalls party vibes and technos machine rhythms brings with it the mood of the thick humid air and existential dread of tropical life. sure to set fire to your local yard or discotheque. custom sleeve.

with the stride 12 inch, isolated lines lays down another thick slab of contemporary and modern dance music. swiss producer plays with the rhythmic dynamics of techno, striking a balance between avant-garde and accessible.

rewind: 1989. germany is enjoying its own summer of love. thick waves of acid house wash every oompah band out of every sleepy german hamlet and a hazy season of heady parties ensues..
incl free dl code inside

airhead, (aka rob mcandrews) a resident, founding member and spiritual ocelot of the 1-800 dinosaur crew, will be releasing a four track ep *believe*, the first of a series of releases from dan foats emerging artist collective. this believe ep is a turning point for airhead, equivalent to the moment in the film *witness* when harrison ford, as john book, realises that the hitmen (witnessed by the amish kid in the toilets) are actually policemen. the inward has been exchanged for the outward. where airheads critically acclaimed debut album *for years* was all about tip-toeing barefoot into thick carpeted darkened rooms, this new ep, inspired by two years of 1-800 dinosaur parties, is all about the boom-boom oscillation and hands-in-the-air machine gun parties.